Translations such as the 1001 Tales of the Arabian Nights, popular throughout Europe, Britain, and the U.S., told fantastical tales of fabulous wealth and absolute power in the hands of monarchs who demonstrated their difference from the enlightened cultures of the West not only through irrational and brutal political decisions but also through their oppressive treatment of women. And Cable, I do not, by any means, consider myself th-r-rough. Young women frequently find older men attractive, strange as it may seem. But Det Joe Schillaci suspects foul play and follows a series of clues to the bloodied body of a second victim. The spectacular setting and exotic characterizations, however, are reminiscent of familiar stereotypes of the oriental despot with his harem of wives that circulated from the 15th century on in Western Europe’s response to the Ottoman Empire. George Brackett : fuming Cable, it is a common mistake for boys of your age and athletic ability to underestimate men who have reached their maturity. When a promising young realtor plunges to his death from the 14th story of a trendy Miami high-rise, first responders assume suicide. The plot of Rodgers and Hammerstein’s The King and I (1951) was taken from Margaret Landon’s Anna and the King of Siam (1944), a novel which in turn was loosely based on the memoirs of Anna Leonowens, was hired as a governess to King Mongkut of Siam in the 1860s. Hall would later play a Chinese American woman, Madame Liang, in a later Rodgers and Hammerstein musical, Flower Drum Song. The role of Bloody Mary in the original Broadway production was played by Juanita Long Hall, an African American actress who won a Tony Award for Best Supporting Actress (a first for African American women). The Tonkinese (Vietnamese) character Bloody Mary as well as her daughter Liat (the romantic interest of Cable) are one-dimensional roles that reinforce impressions of Asians as profiteering as well as primitive, or as sexual objects. The comic musical number “Honey Bun” features a white man performing in a grass skirt and coconut-shell bra to the delight of other Seabees. However, the musical’s own presentation of the non-white peoples and Asian settlers in the Pacific Islands often used yellowface and brownface casting as well as displays of racial exaggeration. ![]() Cable’s second-act song, “You’ve Got to Be Carefully Taught” openly challenges American racism in its commentary on how children learn “to be afraid/ Of people whose eyes are oddly made/ And people whose skin is a different shade.” Two lead characters, the Navy nurse Nellie Forbush and Marine Lieutenant Joseph Cable, realize that their own prejudices are the main obstacles to true love, and ultimately reject these views. Rodgers and Hammerstein’s South Pacific, with a book by Hammerstein and Joshua Logan based on James Michener’s short story collection Tales of the South Pacific (1947) was generally thought to make a strong and progressive statement against racism.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |